Emmylou Harris' first solo album, "Pieces of the Sky," was released in 1975 after the death of her singing partner, Gram Parsons. The opening track on the album is a song called "Bluebird Wine," by a then-unknown songwriter named Rodney Crowell. She recorded two more of his songs on her next album, got him to join her band in the mid-'70s and now, after an almost 40-year friendship, the two musicians have recorded an album together called Old Yellow Moon. The two talk with Terry Gross about their long, enduring careers, their friendship, their influences and singing harmony.
Jonathan Dee likes to write about rich, good-looking people falling apart — and who among the 99 percent of us can't enjoy that plot? In The Privileges, the dad of the family was a Wall Street trader, tempted by existential boredom into larceny; in A Thousand Pardons, the dad of the family is a partner in a New York law firm, tempted by existential boredom into a disastrous workplace affair.
On Monday evening on MSNBC, All In with Chris Hayes will premiere, making the 34-year-old the youngest prime-time anchor on any of the major cable news channels. For the past 18 months, he has hosted an early morning weekend show — Up with Chris Hayes — on MSNBC, but he's already a familiar face to MSNBC evening viewers: He has frequently filled in for Rachel Maddow and has been a popular guest on her show.
Before Pearl Harbor, aviator Charles Lindbergh was so vocal about his opposition to U.S. involvement in World War II that he became an unofficial leader of America's isolationist movement.
Credit Stanley Cloud / Random House
Lynne Olson, a former journalist for The Baltimore Sun, is also the author of Citizens of London.
During the debate over whether to invade Iraq, or whether to stay in Afghanistan, many people looked back to World War II, describing it as a good and just war — a war the U.S. knew it had to fight. In reality, it wasn't that simple. When Britain and France went to war with Germany in 1939, Americans were divided about offering military aid, and the debate over the U.S. joining the war was even more heated. It wasn't until two years later, when the Japanese bombed Pearl Harbor and Germany declared war against the U.S., that Americans officially entered the conflict.
Anthony Lewis, the New York Times columnist and reporter who covered the Supreme Court in the late 1950s and early 1960s, died Monday. Fresh Air remembers him by listening back to a 1991 interview in which Lewis talks about the responsibilities of a columnist and the importance of a correctly-spelled name.
As a film critic for The Boston Globe, Ty Burr has met a lot of movie stars and is often asked what they're really like. What he has realized is that often, the actor's image has little to do with their actual personality, but that's not what interests him; Burr is more curious about why we ask that question to begin with. Burr wants to know "why we respond to these people who we think are larger than life [and] that are — especially in the classic days — manufactured and all their irregularities sanded off and presented to us as some kind of perfection."
To remember Chinua Achebe who died last Thursday, Fresh Air listens back to an interview with the great African writer that originally aired on May 10, 1988. In it, Achebe talks about the literary trope of the white explorer or missionary living amongst the savages, and the importance of struggle.
Emily Rapp is also the author of Poster Child, about a congenital birth defect that led to the amputation of her leg when she was a child, and about how she subsequently became a poster child for the March of Dimes.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
What surprises me about the ongoing discussion of violence in cinema and whether it influences violence in the real world is how people fail to engage with the male fantasy behind these films. There's a template for them, a theme; it hinges on violation and vengeance. A seminal action picture of the last 50 years is 1988's Die Hard, in which a lone male cop operates behind the scenes after an ingeniously orchestrated foreign attack on American soil. He's symbolically emasculated — he has no gun or even shoes, his wife is now going by her maiden name.
This interview was originally broadcast on Feb. 15, 2012.
The stories in Nathan Englander's short collection that's out now in paperback are based largely on his experiences growing up as a modern Orthodox Jew with an overprotective mother.
The Star Jet roller coaster sits in the water on Feb. 19 after the Casino Pier in Seaside Heights, N.J., collapsed from the forces of Superstorm Sandy.
Credit Earl Wilson / The New York Times
Justin Gillis writes about climate change for The New York Times.
According to the historical record dating back to 1895, 2012 was the hottest year this country has ever seen. But it's not just that the temperature has risen — from deadly tornadoes to the widespread coastal damage inflicted by Superstorm Sandy, we seem to be living through a period of intensified and heightened weather extremes.
The HBO movie Phil Spector is a production that demands attention because of the heavyweight names attached. First, of course, there's the subject of the drama: Spector himself, the man who invented the "wall of sound," and recorded hits for everyone from the Crystals, Darlene Love and Ike & Tina Turner to the Beatles and the Righteous Brothers. Oh, and who also went on trial, in 2007, for the 2003 shooting death of actress Lana Clarkson.
"I know of young women who have been returned to their families by their husbands because, as you say, they did not bleed on defloweration," Shereen El Feki tells Fresh Air's Terry Gross.
El Feki, the author of the new book Sex and the Citadel: Intimate Life in a Changing Arab World, spent five years traveling across the Arab region asking people about sex: what they do, what they don't, what they think and why.
The release last year of a 2007 reunion by the late Sam Rivers' trio confirmed what a creative drummer Altschul is. He has been one for decades. Altschul was a key player on the 1970s jazz scene, when the avant-garde got its groove on. Now, as then, he's great at mixing opposites: funky drive with a spray of dainty coloristic percussion, abstract melodic concepts with parade beats, open improvising and percolating swing. He's a busy player, but never too loud — he's also busy listening.
Ten years ago, the United States invaded Iraq and began what the Bush administration said would be a short war.
But it wasn't until December 2011 that the United States officially ended its military mission there.
In addition to the tens of thousands of Iraqis who died, the war cost the lives of nearly 4,500 American service members, and wounded more than 32,200 men and women in America's military. Many of the wounded vets have faced — or are still facing — long waits for their disability and other benefits to begin.
The orchestral swirls, the transition to a soul-man groove, the falsetto croon — there you have some of the key elements to Justin Timberlake's album The 20/20 Experience. The title implies a certain clarity of vision, even as any given song presents the singer as a starry-eyed romantic, bedazzled by a woman upon whom he cannot heap enough compliments, come-ons and seductive playfulness.
In Chinua Achebe's novel The Anthills of the Savannah, one of the characters says, "Poets don't give prescriptions. They give headaches."
The same is true of novelists, and none more so than Philip Roth. If any writer has ever enjoyed rattling people's skulls, it's this son of Newark, N.J., who's currently enjoying something of a victory lap in the media on the occasion of his 80th birthday. The celebration reaches its peak with a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series.
Top of the Lake, a new seven-part miniseries premiering tonight on the Sundance Channel, was co-created and co-directed by Jane Campion, who teamed with Holly Hunter 20 years ago on the movie The Piano. Hunter is back for this new project, playing a mysterious New Agey guru of sorts. She's started a small commune for emotionally damaged women, on a remote strip of land in New Zealand.
Emily Rapp is also the author of Poster Child, about a congenital birth defect that led to the amputation of her leg when she was a child, and about how she subsequently became a poster child for the March of Dimes.
In January 2011, writer Emily Rapp was a happy new mother when she and her husband found themselves in a pediatric ophthalmologist's office with their 9-month-old son, Ronan. They were worried about Ronan's development and had gone to the eye doctor to rule out vision problems as the culprit. Checking Ronan's retinas, the doctor saw "cherry-red spots on the backs of his retinas," Rapp writes in her new memoir, The Still Point of the Turning World. Ronan's diagnosis that day was Tay-Sachs disease, a genetic and degenerative condition that is always fatal. There is no cure.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
In the '60s, some fervent rock groupies formed a band called the GTOs — short for "Girls Together Outrageously" — and while it didn't last, the name captures the impulse behind stories in which women chafe against the male-centric society that pulls their strings. This week you can see a girls-together-outrageously triple bill: Spring Breakers, Ginger & Rosa and Beyond the Hills.
Navy veteran Freddie (Phoenix) falls under the influence of cult leader Lancaster Dodd (Philip Seymour Hoffman) in Anderson's film, which critic Ella Taylor describes as "one of the most twisted father-son tales ever told."
Credit Phil Bray / The Weinstein Co.
Paul Thomas Anderson (left) works with actor Joaquin Phoenix on the set of The Master.
This interview was originally broadcast on Oct. 2, 2012.
For Paul Thomas Anderson, moviemaking is not just an art; it's also about time management.
"At its best, a film set is when everybody knows what's going on and everybody's working together," he tells Fresh Air's Terry Gross. "At its worst, [it's] when something's been lost in communication and an actor's not sure how many shots are left or what's going on, and the makeup department's confused."
The 10 stories in Claire Vaye Watkins' debut collection — Battleborn — explore the past and present of the American West, specifically Nevada, where Watkins spent much of her childhood and adolescence. On Wednesday, it was announced that the 28-year-old author had won two major literary prizes for Battleborn: the $10,000 Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and the $20,000 Story Prize.
The veteran reporter has recently moved from ABC News to CNN where he now hosts his own show and serves as Chief Washington Correspondent. In Part II of this interview, Tapper talks about fact-checking the Swift Boat Veterans for Truth and blow back from the White House after asking tough questions.
Originally published on Wed March 13, 2013 1:16 pm
In his new novel, How to Get Filthy Rich in Rising Asia, Mohsin Hamid's nameless protagonist is an ambitious young man who moves from the countryside to a megalopolis in search of his fortune. The city is modeled on Lahore, Pakistan, where Hamid was born and partly raised and where — after living in the United States and England — he has now settled with his family.
There must be something in the water — or the beer — in Texas that caused the huge eruption of garage bands and psychedelic bands in the mid-1960s, because there sure were a lot of them, and their records on obscure labels have kept collectors busy for decades. Most of them were amateurs, but the Coachmen, who came together around 1964, were different.
Sheryl Sandberg tells an anecdote in her new book, Lean In, about sitting down with her boss, Mark Zuckerberg, for her first performance review as chief operating officer at Facebook. Zuckerberg told her that her "desire to be liked by everybody would hold [her] back." I hope she's worked on that problem because over the past few weeks, there sure have been a lot of people hating on Sheryl Sandberg.