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On July 21, 2010, President Obama signed into law the Wall Street Reform and Consumer Protection Act, commonly known as the Dodd-Frank bill. Reporter Gary Rivlin says "the passage of Dodd-Frank was something of a miracle." But to the chief lobbyist for the Financial Services Roundtable, a lobbying group that represents 100 of the country's largest financial institutions, it was just "halftime."

Patricia Volk's mother was beautiful in a way that stopped people on the street. Strangers compared her to Lana Turner and Grace Kelly. She was stylish and vain: Her beauty and its preservation mattered to her. "She had an icy blond beauty, an imperious kind of beauty," Volk tells Fresh Air's Terry Gross.

From a young age, Laura Linney knew what she wanted to do with her life: act. There was no question.

She was a drama nerd in high school, and went onto Juilliard to study theater. But film acting was never the dream, and movie stardom definitely wasn't the goal.

"I was always completely intimidated by film," she tells Fresh Air's Dave Davies. "I was not the sort of person who grew up thinking, 'Oh, I want to be in the movies.' I loved movies; I just didn't think I particularly belonged there."

Gail Godwin says one of the inspirations for her new novel, called Flora, is Henry James' ghost story The Turn of the Screw. Both stories take place in isolated old houses, and both revolve around mental contests between a governess character and her young charge. There are ghosts in Flora, too: specters that arise out of what our narrator calls her "remorse." Godwin had me at that word, "remorse": It's such a great, old-fashioned word, and it suggests that there'll be a lot of awful things going on in this novel that will need to be atoned for.

"Pink Champagne," a song on Caitlin Rose's second album The Stand-In, presents Rose's voice in its sparest purity and veiled shrewdness. She sends her voice skyward, the notes as buoyant and light as the bubbles of the pink champagne she's singing about. Her high trills could, with only a slight shift in tone and attitude, become self-conscious with a Betty Boop coyness, as they do once or twice on The Stand-In. But most of the time, Rose keeps her music grounded in the details of yearning, heartache and a welcome sense of gratefulness and enthused energy.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

The third time might be the charm for some things, but the number three after a movie title is typically shorthand for a deal with the devil.

The studio thinks there's more money to be squeezed from a particular property, and voila: Spider-Man 3, Superman III, The Godfather — God help us — Part III. OK, The Godfather's a special case. Most other threes, though, are what happens when a too-thin plot meets a too-fat budget.

This interview was originally broadcast on Feb. 7, 2013.

If reality TV has a redeeming value, it's that it teaches you to be suspicious of claims that you're seeing real people doing real things. This is especially so in an age when memoirs bristle with made-up events, and everyone from the Kardashians to the Obamas orchestrate their media coverage. These days, it's hard to tell whether an article, book or TV show is showing you the real person or only a performance.

Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.

New York Times reporter C.J. Chivers, has spent much of the past year with the rebels in Syria, and has written poignantly about the impact of the fighting on the lives of ordinary Syrians and its devastating impact on that ancient land. Before becoming a journalist Chivers was a Marine and his knowledge of the military sometimes leads him to stories that only an insider would see.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. The great country singer George Jones died today. He was 81. We're going to listen back to an excerpt of the interview I recorded with him.

This interview was originally broadcast on Dec. 17, 2012.

If a good voice is genetic, it's likely Barbra Streisand got hers from her mother. Streisand's mother was too shy to ever perform professionally, but she had a lyric soprano and would sing at bar mitzvahs in their Brooklyn neighborhood when Streisand was a girl.

Mass shootings, bus crashes, tornadoes, terrorist attacks — we've gotten adept at talking about these things. Act of God or act of man, they're all horrific. At least that was the word you kept hearing from politicians and newscasters describing the Boston bombings and the explosion at the fertilizer plant in Texas.

Rectify, a new drama series from the Sundance Channel, wants to stand out from the pack — and it certainly succeeds at that. It's a six-hour limited series, more along the British model of TV than ours here in the States. If these first six installments catch on enough, the story will continue. If not, that's it.

And Rectify is so unusual a show, with its own deliberate pace and premise and approach, that it may not build enough viewership to keep going. But that doesn't mean it's not a worthwhile show, or a memorable one — because it is.

Transcript

TERRY GROSS, HOST:

In December, Tom Cruise starred as the title character in the film "Jack Reacher." In "Oblivion," which opened on Friday, he plays another Jack, one of few humans left on an Earth devastated by an alien invasion. "Oblivion" is based on a graphic novel co-written by Joseph Kosinski, who went on to direct the film, and it costars Morgan Freeman and Melissa Leo. Film critic David Edelstein has this review.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Fresh Air TV critic David Bianculli talks with Terry Gross about the media coverage surrounding the explosions at the Boston Marathon.

Fresh Air pays tribute to Boston with a 1988 performance by the late jazz pianist Dave McKenna. From 1981 to 1991, McKenna had a standing gig at Boston's Grand Dame Copley Plaza Hotel. He was also a loyal Red Sox fan. He died in 2008.