WLRN-Miami Herald News brings Art Basel to you through our digital coverage -- and our community of listeners.
Art Basel goes beyond the Miami Beach Convention Center. In the next few days, we want to know what you think about the art, people, and events you're seeing throughout South Florida during Basel. Here are two things we're looking for:
Sale 2791. Lot 8A. "Three Studies of Lucien Freud." $142.4 million.
On the evening of Nov. 12 at Rockefeller Center in New York City, the 1969 oil painting on canvas by Francis Bacon set a record price for publicly auctioned art. Its auction price may bode well for those hoping the upcoming Art Basel Miami Beach will lead to big business. But even if there are no nine-figure sale prices, a rebounding housing market and rallying stock market are expected to lift the spirits, and possibly prices, of the business around Basel.
If you’ve spent any time on the MacArthur Causeway this past year, you’ve seen the 200-foot tall, shimmying silhouette of the dancing lady on the side of the Intercontinental Hotel.
The giant, multi-colored light display on the side of the building danced into our hearts – or danced us into ire—last December. Whether you love or hate the dancing lady, she’s become a staple of the Miami skyline.
Magnolia North is the new name for an area in Opa-locka, which was formerly dubbed The Triangle and known for drugs and crime. Now city leaders hope Magnolia North will be known for galleries and studios and become the next vibrant arts district in South Florida.
For those in film school, the project is like a crash course and a final exam, jam packed into one restless weekend.
This is the Miami edition of the 48 Hour Film Project, an international event that gets play from local filmmakers from Israel and Johannesburg to Las Vegas, Nevada. The one constant -- you get 48 hours to complete a short film from scratch.
Amelia Peláez, "Autorretrato" (Self-Portrait), 1935, Graphite on paper on board, Collection Pérez Art Museum Miami, partial and promised gift of Jorge M. Pérez, Courtesy of the Amelia Peláez Foundation
The legendary choreographer George Balanchine once said, “ballet is woman,” and that seems to be the case, considering the scarcity of boys aspiring to become ballet dancers compared to the legions of girls. But of the girls who grow up to become top dancers, few have actually graduated into the upper levels of leadership.
It's lunchtime in the heart of Sao Paulo's financial district. Surrounded by tall buildings of cool glass and steel, men and women in suits and business attire walk back and forth busily in Brazil's largest city.
Standing amid the bustle is Leticia Matos — who is, for want of a better word, a crochet artist. She couldn't look more different from the people around her.
Wearing a short-sleeve shirt and covered in bright, quirky tattoos, Matos is at work, too. About a year ago, she says, she got the idea for her project while knitting and crocheting with her friends.
South Florida artist Virginia Erdie strives to be "a little bit of an activist" with her work. It's fitting, then, that her art has ruffled a few feathers along the way. Her next major installation almost didn't see the light of day.
A man inspects a plastic cover placed over an artwork attributed to Banksy in London. The stencilled image depicts a poor child making Union Jack flags on a sewing machine and is located on the wall of a Poundland discount shop in the Wood Green area of north London.
On September 4th, the Miami City Ballet suddenly announced the company’s founder, Edward Villella, had resigned that morning from his post as artistic director 8 months earlier than planned. Not only is Villella one of America’s most famous dancers, he is one of South Florida’s biggest cultural commodities. In 25 years, he created a world-class ballet company from scratch and helped spark Miami’s arts renaissance. But, the last year at Miami City Ballet had been marked by financial troubles and power struggles. Insiders claimed that Villella had been forced out.