Video as an art form has come a long way. Although artists started seriously working with the medium at least a half century ago (some will pinpoint Nam June Paik’s German exhibition in 1963 as its official arrival on the scene), it remained somewhat the stepchild, not getting a lot of respect until the last couple decades. And in Miami, video art – good video art – was late in taking hold with local artists and in shows. That’s changed dramatically in recent years, and yet there have been few outlets dedicated to highlighting the form.
To many serious musicians, reality TV singing competitions — American Idol and all the variants trailing in its wake — don't rank highly.
And Miami's Karina Iglesias considered herself very much a serious artist, gigging around town since 2002 with as many as eight different bands, hustling both the covers and original circuits to support herself as a professional musician.
By night, she performed with as few as two and as many as 20 people backing her up, lighting up both clubs and corporate events with her bold, soulful voice.
Caroline Breder-Watts and Scott Eyman discuss the work of Jerry Goldsmith, one of the most prolific and influential film composers of the 20th Century. To hear the complete conversation, visit artsradionetwork.com.
This weekend, a devoted national and international crowd of devoted tiki-philes descends on Fort Lauderdale for The Hukilau. The annual gathering celebrates the music, history, and, of course, cocktails, associated with American midcentury tiki culture.
Picture images of developing countries in American media and you’ll likely think of a few recurring tropes — photos depicting squalid living conditions and political strife.
“We always end up looking at poor countries as being fraught with tragedy and poverty,” says documentary photographer Maggie Steber, in a video trailer for her new solo show opening in Coral Gables on Thursday. “We don’t recognize what is beautiful. We don’t equate what is beautiful.”
Richard Vergez is one of the local artists who contributed to the Fort Lauderdale Play Your City, a public art installation project in which pianos are artfully stationed around downtown Fort Lauderdale. The idea is to invite residents to play the keyboards. Play, but, not get too carried away, is the core idea.
Like those of many ‘70s children, even Russell Mofsky’s earliest memories are colored by a touch of psychedelia.
“I grew up with a healthy overdose of classic TV shows, westerns, spy movies, and monster movies,” he recalls, along with the surreal cartoons and children’s shows that ruled the era. (See, for example, the entire oeuvre of Sid and Marty Krofft.) And even after doing time in the skate-punk scene as a teenager, Mofsky, now a voracious record collector, always turned back to the slightly weird.
CCEMiami (Centro Cultural Español en Miami), the Spanish cultural arm here, often falls of the radar when it comes to the arts. Since moving into the bustling downtown area on Biscayne Boulevard (from its sometimes forbidding building in the Gables), it may be that some people simply don’t know they are there. Time to rediscover.
The center offers up some impressive and diverse cultural events, including music and theater – the latter includes their innovative Microtheater, “small” plays of about 15 minutes, set up in the back courtyard for only about 15 spectators.