P. Scott Cunningham is the founder of O, Miami, a biennial poetry festival in Miami organized by the University of Wynwood and with support from the Miami-based Knight Foundation. The festival is happening this month.
WLRN: Tell us a little bit about yourself. The real P. Scott Cunningham.
Here we go again! Check out some of our favorite #ThatsSoMiami poems from the last couple of days. Like what you see? Check out our Tumblr page, where we collect your submissions and post them for your viewing (laugh out loud) pleasure. Click here to make your submission.
The Palm Beach International Film Festival boasts a few star-studded indie films, but the schedule also is packed with a host of alternately gritty and inspirational documentaries featuring everyday folks in extraordinary circumstances.
The festival, which kicked off on April 4, continues through Thursday. Every day, there are a dozen or so films screening at various theaters throughout Palm Beach County. You can't be everywhere at once, so below are four documentaries to consider making a priority at this year's festival.
This weekend marks the 11th annual edition of the Heineken Transatlantic Festival, a project spearheaded by the Rhythm Foundation in 2003. Like most other musical events mounted by the area nonprofit, the focus here is on a confluence of sounds from across the globe.
On the schedule for this year's Palm Beach International Film Festival are some of the usual suspects: Independent films starring Hollywood stars given the freedom to explore something outside of the typecasting norm. But the festival, which kicks off today, also includes an opportunity for South Floridians to become the star of the show while literally exploring a city's real and imagined history.
In honor of National Poetry Month, WLRN - Miami Herald News is teaming up with the O, Miami poetry festival to bring you That's So Miami--a project documenting your thoughts about Miami, in verse.
We want to see your Miami, not “CSI: Miami” or “Miami Vice” or “Police Academy 5: Assignment: Miami Beach.” The only rule is that your poem has to begin or end with the phrase, “That’s so Miami.”
In her March 22 article in the New York Times, Liesl Schillinger wrote that she wanted to capture the Miami restaurants and tourist haunts that are "uncool" and serve "the salty fried food, the lime-drenched cocktails."
Hello! It’s Miami! We wanted to write and let you know that we’re a real place. You’ve seen us before. We’re the ones that had that land boom in the 1920s.
We’re writing to you from the offices of WLRN, because we care. We love the Gray Lady. We wouldn’t dare see her honor besmirched because of us, Miami.
Three years ago, a group of friends and I started to dream up what a lot of people considered impossible: a festival that would bring poetry to all 2.6 million residents of greater Miami.
At that time, Miami’s cultural scene was exploding. Art Basel was in full force, and we wanted to do a festival that was the opposite of the “pipe-and-blazer” readings that most people associate with poetry. We wanted to do a festival that reflected Miami’s diversity and personality.
Today kicks off National Poetry Month, and O, Miami -- the biennial, South Florida poetry festival -- has lined up a myriad of creative ways to deliver a poem to every single person in the city.